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・ Jules Marouzeau
・ Jules Marshall
・ Jules Martin
・ Jules Mary
・ Jules Mascaron
・ Jules Masselis
・ Jules Massenet
・ Jules Mastbaum
・ Jules Maujean
・ Jules Maxwell
・ Jules Mazellier
・ Jules Meese
・ Jules Mersch
・ Jules Merviel
・ Jules Michel
Jules Michelet
・ Jules Mikhael Al-Jamil
・ Jules Miot
・ Jules Moch
・ Jules Moch (French Army officer)
・ Jules Moigniez
・ Jules Moineau
・ Jules Molk
・ Jules Molle
・ Jules Monchanin
・ Jules Montenier
・ Jules Moriceau
・ Jules Morin
・ Jules Mouquet
・ Jules Moy


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Jules Michelet : ウィキペディア英語版
Jules Michelet

Jules Michelet (; 21 August 1798 – 9 February 1874) was a French historian. He was born in Paris to a family with Huguenot traditions.
In his 1855 work, ''Histoire de France'' (History of France),〔Michelet, Jules. ''History of France'', trans. G. H. Smith (New York: D. Appleton, 1847)〕 Jules Michelet was the first historian to use and define〔Murray, P. and Murray, L. (1963) ''The Art of the Renaissance''. London: Thames & Hudson (World of Art), p. 9. ISBN 978-0-500-20008-7〕 the word Renaissance ("Re-birth" in French), as a period in Europe's cultural history that represented a drastic break from the Middle Ages (which he loathed), creating a modern understanding of humanity and its place in the world. Historian François Furet wrote that his '' History of the French Revolution'' (1847) remains "the cornerstone of all revolutionary historiography and is also a literary monument."〔François Furet, ''Revolutionary France 1770–1880'' (1992), p. 571〕 His aphoristic style emphasized his anti-clerical republicanism.
==Early life==
His father was a master printer, not very prosperous, and Jules assisted him in the actual work of the press. A place was offered him in the imperial printing office, but his father was able to send him to the famous Collège or Lycée Charlemagne, where he distinguished himself. He passed the university examination in 1821, and was soon appointed to a professorship of history in the Collège Rollin.
Soon after this, in 1824, he married. This was one of the most favourable periods ever for scholars and men of letters in France, and Michelet had powerful patrons in Abel-François Villemain and Victor Cousin, among others. Although he was an ardent politician (having from his childhood embraced republicanism and a peculiar variety of romantic free-thought), he was above all a man of letters and an inquirer into the history of the past. His earliest works were school textbooks.
Between 1825 and 1827 he produced diverse sketches, chronological tables, etc., of modern history. His précis of the subject, published in 1827, is a sound and careful book, far better than anything that had appeared before it, and written in a sober yet interesting style. In the same year he was appointed ''maître de conférences'' at the École normale supérieure.
Four years later, in 1831, the ''Introduction à l'histoire universelle'' showed a very different style, exhibiting the idiosyncrasy and literary power of the writer to greater advantage but also displaying, according to the ''Encyclopædia Britannica'' (Eleventh Edition), "the peculiar visionary qualities which made Michelet the most stimulating, but the most untrustworthy (not in facts, which he never consciously falsifies, but in suggestion) of all historians."

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